"The Brazilian architectural modernism of the 50's only has to win with the unexpected colors used in the windows and curtains. Here, beyond the homogeneity of the geometry of the facade, each individual story stands out. It is from this matter that the image is made."
"Brazilian, I live and work in the city of Rio de Janeiro. Photography for me is contemplation. But despite a personality given to the observation of the attitudes and reactions of others in various everyday situations, I only started to photograph in 2008.
I am interested in photography that has an affectionate eye over all things, whether it is the one that approaches the human being as an individual or as an element inserted in the landscape, which manifests itself as a pure concept, which is remembrance, amazement or insufficiency. But I can photograph jelly beans. The yellow ones, if I'm given the choice."
"The Brazilian architectural modernism of the 50's only has to win with the unexpected colors used in the windows and curtains. Here, beyond the homogeneity of the geometry of the facade, each individual story stands out. It is from this matter that the image is made."
"Brazilian, I live and work in the city of Rio de Janeiro. Photography for me is contemplation. But despite a personality given to the observation of the attitudes and reactions of others in various everyday situations, I only started to photograph in 2008.
I am interested in photography that has an affectionate eye over all things, whether it is the one that approaches the human being as an individual or as an element inserted in the landscape, which manifests itself as a pure concept, which is remembrance, amazement or insufficiency. But I can photograph jelly beans. The yellow ones, if I'm given the choice."