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Artiste / Pierre Liebaert

Luna // Florence // 2013

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Luna

“And when the woman saw that the tree was good for food, and that it was pleasant to the eyes, and a tree to be desired to make one wise, she took of the fruit thereof, and did eat, and gave also unto her husband with her; and he did eat. And the eyes of them both were opened, and they knew that they were naked; and they sewed fig leaves together, and made themselves aprons.” (Genesis) This photograph was taken in the cloister of the Santa Maria del Carmine church in Florence. The church is famous for its Brancacci Chapel, which host mural paintings made by Masolino, Massacio and Lippi. Those paintings tell the life of St Peter and the original sin that resulted in the ban of Adam and Eve from the Garden of Eden. Luna is the back portrait of a young lady, wearing a white immaculate dress, who, with a weary movement that seems to reveal her dejection, leaves one place to join another one.

Pierre Liebaert

Pierre Liebaert was born in 1990 in Mons (BE). He graduated from Art High School "Le 75" in Brussels. His work was exhibited during festivals and also by museum institutions. His series “Macquenoise” was published by the Belgian publisher “Le Caillou Bleu”. The book was considered by the American website “Photo-Eye” as one of the best 26 of the year 2013. The projects led by Pierre Lieabert are often a long term immersion that consumes him. Most of them are photographic but some like "Free Now” is an installation made with a film, some images, music, recordings and texts. It was rewarded by the “Grand Prix du Jury” at the “Boutographies” festival and also by the “New Generation Prize” of the PHmuseum. The film, as a standalone part, was shown in many international film festivals. His new projects make him sink into the magmatic bowels of Naples and into the monasteries darkness, where carnival creatures are nestled in the mountains. Pierre Liebaert is fascinated by those moments when tragedy becomes bright. The mystical voices of the castratos, the intensity of Caravage’s masterpieces, the intransigence of the Flemish Primitives, the operas of G.F Haendel, the “Hustlers” series by P.L di Corcia, the universality and symbolism of carnival characters, the humid perfume of a worm-eaten wood or a mushroom bed, the procession decorum, the flagellants piety, eyes full of fear and our organs vulnerability are different pieces he wants to gather.
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